Digital Photography Articles

Everything you need to know about digital photography. Articles on digital photography workflow, technical articles, JPEG compression, file naming strategies, photo cataloging software (digital asset management), photo software reviews, equipment reviews and archiving the digital photos on CD or DVD.

Learn how to use programs for organizing digital photographs. Also includes a beginners guide to digital photography or those who are making the change from film to digital.

 

Is there an question or article that you would like to see?
If so, please feel free to leave a comment below!

Latest Photography Articles

 

Latest Comments in Photography Sections

2008-05-02JPEGsnoop 1.2.1 JPEG Decoding Utility
i want to convert my own videos
2008-04-29JPEG Chroma Subsampling
sir, 1) how to transfer 4.2.0 chroma sample ...
2008-04-25Photoshop Save As vs Save for Web
Just wondering why when you save for web as a ...
2008-04-24Fix Corrupt JPEG Photos!
Thanks Cal, Really appreciate all ur help on this....
2008-04-23Fix Corrupt JPEG Photos!
Hey,i have some photos that are corrupt, would ...
2008-04-22Fix Corrupt JPEG Photos!
Thanks Cal, I have followed the instructions and ...
2008-04-22JPEG Compression Quantization Tables
Perhaps a naive question, but I was wondering ...
2008-04-22Comparison of Backup Software
One problem with Backup4all is that if temp is ...
2008-04-21Comparison of Photo Catalog Software
Have you look at Microsoft's Live Photo Gallery (...
2008-04-21JPEGsnoop 1.2.1 JPEG Decoding Utility
Hello Calvin I was wondering whether you would ...
2008-04-20Digital Zoom vs Optical Zoom
Please advice me which of the two canon models is ...
2008-04-20JPEG Compression Quantization Tables
Hello, is there any known method to encode a JPG ...
2008-04-18JPEGsnoop 1.2.1 JPEG Decoding Utility
It seems JPEG Snoop also uses APP3 marker (for ...
2008-04-18Fix Corrupt JPEG Photos!
Thanks for a quick response. I'm not real sure on ...
2008-04-18Fix Corrupt JPEG Photos!
Is there anyway to correct a invalid DHT class? ...
2008-04-14Fix Corrupt JPEG Photos!
Hi, Just found this post after several hours of ...
2008-04-12Comparison of Photo Catalog Software
Just a wee note to say the IDimager Lite (free ...
2008-04-10Fix Corrupt JPEG Photos!
Is it possible that you can share your techniques ...
2008-04-09Do-it-Yourself Offsite Backup
Surprised it's not mentioned here, but using a [...
2008-04-08Designing a JPEG Decoder
I want to decode a Jpeg file into Bitmap in SoC ...
Gallery
Girls at Party

 

 

 

Organizing and Naming Photos

How to be organized when you have thousands of photos on your computer. File name schemes that allow a mix of digital photos, scanned photos and non-photos on the same drive.

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Technical Articles

For those interested in knowing the details of how digital photos are stored, articles on how JPEG compression works, and other in-depth tutorials:

 

 

Archiving & Storing Photos

Your entire photo collection can vanish in an instant, so a proper methodology in archiving your photos is crucial. Here you will find strategies to help automate the digital photo backup process.

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Importing Digital Photos

Software used to transfer your images from memory cards to your hard drive.

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Beginner's Guide to Digital Photography

Articles for those who are either new to photography and want to start with digital, or those who are experienced with film and want to upgrade to digital.

 

 

Digital Photography Equipment

Articles on digital cameras and related equipment.

 

 


 


Reader's Comments:

Please leave your comments or suggestions below!
2008-01-09Lensmeister
 I hope someone can help. What I really need is advice on how to/or what to use as a database/catalogue for my photos. I have over 10,000 digitial images and over 800 rolls of 35 mm film that I am scanning. What I need is something that I can have a thumbnail of the images, all the exif, and other data I store (the 35 mm I want to make items similar to EXIF).

I am totally lost ... can someone help please ?
Thanks :)
2007-11-24Thomas Kaiser
 JPEG Guru needed for improving Linux webcam driver :-)

I developed the Linux driver for the Pixart PAC7311 webcam chip and have a problem with picture quality. Pixart claims to use "standard" JPEG but they do not. They included special markers after (or before) each MCU which I must remove to decode the picture.
You can find some information here http://www.kaiser-linux.li/index.php?title=PAC7311

If you are intrested helping me I can give you more detailed information. Just drop me a mail :-)

Thomas
 Hi Thomas -- I'm always interested in challenges. Send me some example frame captures from the device and I'll see what I can figure out. Inserting markers after every MCU seems excessive, so I'm curious as to why this is being done.
2007-10-01Ken
 Hi Calvin,

Thanks for updated JPEGsnoop software. It seems like a handy tool when you need to "go deep" into a file.

While I am still researching software for my workflow, my journey has led me to again reconsider shooting RAW. Unfortunately, I have read far too many articles both for and against it for my own good. What are your feelings towards RAW? You always seem to be talking about JPEG files, but I was not clear if you shoot RAW or JPEG. And, if you do shoot RAW, what are your thoughts on RAW converters? I would be very curious to hear your thoughts and opinions.

Thanks,

--Ken
 Great question -- Yes, I have certainly focused a lot of my technical interest on JPEG, as it is more prevalent and often misunderstood in internet forums. Since it is a reasonably "open" standard, unlike the proprietary RAW formats, it's actually possible to understand how it works :)

I do shoot RAW, but I generally limit it to times when I a) intend to deliver the shots to others (e.g. a modeling shoot / sporting event), b) place significant importance on the images or c) find myself in difficult lighting conditions. The rest of the time I often choose to shoot JPEG. While the RAW images from my camera (Canon 40d) are certainly nicer and provide far more processing latitude than the JPEGs, one can't forget to factor in the additional processing time that the RAW format usually entails, along with the increase in storage requirements (especially when you keep both RAW and the converted JPEGs). Some people have managed to dial in a RAW processing workflow (importing, converting, XMP tagging, buddy-file synchronization, etc.) that is reasonably efficient, but I am not convinced that my current toolset is what I will ultimately end up using.

When I travel for extended periods of time (e.g. 1 month+) in remote regions, I am also more apt to shoot JPEG because it is more important for me to have enough redundant portable storage to keep copies of the images safe -- file space is already a difficult issue on the road.

As for RAW converters, I have not yet completed a fair evaluation of the different products on the market (Photoshop ACR, Lightroom, Bibble, Phase One, etc.). When I do, I may be in a better position to share my opinions and refine my own RAW workflow.
2007-09-26 
 Great site. Any chance you could add an RSS or ATOM feed?
 Good idea... It has been suggested to me in the past, and since I wrote my own CMS system it's going to take a little bit of work. I think that I would prefer to use that instead of the notification system that I have built in the meantime. Thanks!
 
2007-08-20Kal
 I'm trying to decide between a DSLR (pentax K100D) with say 50-200 or 70-300 Tamron or Sigma lens and Sony H7 or similar strong Optical Zoom. I'll be visiting Kruger Nnational Park later and wuld like to be able to take some wildlife Zoom photos as we are to remain in the car while in the park. You gave us a formula to convert things lens specs to zoom in X units. So..is the 300 in 28-300 better than the 300 70-300 for my purpose? What about comparing a 50-200 versus 70-300. I guess my question is whether it is the ratio that is important or the larger number in the lens i.e. 300 (versus 200).

Also to get the same zoom as say a 70-300 on the DSLR what zoom should I look for in a Point and shoot (recognize of course the quality will be lower in P&S)?
 For wildlife, you're going to want a decent long telephoto lens. While in Etosha and Moremi (in southern Africa), I shot from the vehicle with my 100-400/L and tended to stay in the 250-350 range (this is on a DSLR with a 1.6x multiplier, which is common). You might find that 200mm is a little short, and that the 300 provides you with more opportunities. When comparing lenses, unless there is a significant difference in optical quality, you should start by making sure that you get the range that you need (i.e. is 200 enough, or do you need 300mm?) In your case, I would probably opt for the longer zoom (70-300).

Ignoring the maximum focal length for a moment, it's important to keep in mind that it is much harder to produce a zoom lens with high image quality across a large range versus one that only covers a narrower range. In other words, the 28-300 lens has a 10.7x (300/28 = 10.7), while the 70-300 lens has a 4.3x. For a similar price point, it is a pretty safe assumption that the 70-300 will provide better image quality across the range than the 28-300 superzoom. Nowadays, the superzooms are becoming better, but I would tend to stay away from them unless I was truly requiring an all-in-one for convenience.

As an aside, if you are taking photos from the vehicle, consider buying a bean bag that you can place over the window sill, as you won't be able to use a tripod.

To get an equivalent of 70-300 (on a DSLR) in a point & shoot camera, one would look for an "35mm equivalent focal length" of 110-480, which is very unlikely (this assumes that your DSLR has a focal length multiplier of 1.6x). Note that the rating will say "equivalent" as the sensor size is much smaller in a point & shoot camera, making the real focal length comparison not as simple.
2007-07-17Darren
 Hi again. It would be great if you could expand the photo section to include articles about digital video too. You mention that you also take video footage and this is an area I'm just getting into, but haven't much of an idea about the best way to do things.

Thanks!
 Thanks for the suggestion! I will definitely give it some thought -- While I have recently decided to start writing a series of technical web design articles, digital video is certainly another area of interest too. I'll put it on the list!
2007-05-20JL
 Hi,
Can you tell me if there is any program that can scan my imported pictures to get the accurate date? We just had our computer cleaned up and when I put them back on the computer a ton of them (which had been taken a long time ago with a different, cheaper digital camera) got imported incorrectly. I'm currently trying a trial version of adobe 5.0.Thanks so much :)
 In what way did you find that the photos were imported incorrectly? I assume that you are seeing that the File Created Date is recent, when you expected it to be the date that the shot was taken. If so, when you right-click on one of these photos and then click on the Summary tab then the Advanced button, do you see the correct date listed in one of the properties (e.g. Date Picture Taken)?

If you see the correct date here, then you're in luck. That means that the image's EXIF information still retained the original photo date. There are many utilities that will use the EXIF date information to update the other file timestamps as well. The most popular utilities to do this are: Exifer, jhead, and AttributeMagic. I'll add this to the list of articles to write, as this is a very common need for digital photographers. For example, you might have forgotten to set the date on your digital camera (or travelled to a different time zone), and later need to update all your photos.
2007-05-07S
 Noticed your post on dpreview forum. If you're still interested in example files then send me a mail. I can provide any number of Sony H7 files, including Gregrag McBeth color chart and ISO res chart.

Also, thanks for an interesting site. Hadn't seen it before, but you've done a great job providing a lot of useful info. Downloaded JPEGsnoop and checked several H7-files. I was wondering how they managed to compress all the files so small and with so little variation in file size and it seems like you've got the explanation. Found a lot of variation in the "Approx quality factor" from around 97% to 87% on the files I checked.
 Thanks! Email sent.
2007-01-26Rachel
 First of all, fantastic site! Should me mandatory for anyone using digital photography. I've learned so much.

Have you looked into any of the online photo storage/sharing sites? I'm interested in using one for an additional back up of my collection and would like to be able to easily share with friends and family. There are so many, it's hard to know which one to choose. With your expertise, I wondered what you thought?
 Thanks Rachel! I have used pbase in the past (smugmug was another close alternative) and found it to be a great source for getting critical input on photos from other photographers. That said, the interface is not totally intuitive, so I wouldn't recommend it for those who are looking for something very easy to use.

As I made the transition to host my own photo galleries, I never invested much time in comparing all of the various photo sharing sites out there, but I would suggest that you have a look at the following two review pages:
You mentioned an interest in using these photo sharing sites as a backup for your photo collection. Generally, I don't think they do a particularly good job at that because of the fact that they often store much-reduced versions of your photos, not the originals. Some do keep fullsize originals, but you will have to be very mindful of your file storage limit restrictions.

A much better plan would be for you to create a backup of your photo collection yourself (on hard drives, DVD-R, remote backup, etc.) instead of relying on a photo sharing site to achieve this goal.
 
2006-11-19KimF
 Your website is incredibly helpful in 2 of my latest endeavors - organizing and backing up digital photos. Thanks for all your efforts!
2006-03-05Kathy
 Thank you so very much! You are the first person to finally give me some solutions and answers to this problem. A person can't move on and learn more unless the issues at hand are taken care of!
 Glad I could help!
2006-03-04Kathy
 Would love to hear your comment on digital camera's "purple fringing" and what causes it and how to avoid it.
 Hi Kathy -- "Purple fringing" has been a contentious issue for those who have tried to explain it. Some discussions on it (#1 #2 #3) have proposed some potential causes (blooming, microlenses chromatic aberration, InfraRed sensitivity, etc.), but I have yet to see any definitive answer.

As for how to avoid purple fringing, it seems that there is some consensus:
  • Use apertures f4 or smaller
  • Avoid high-contrast subjects in poorly-lit environments
  • Use a lens hood
  • Avoid using focal lengths wider than 28mm
2006-03-02Sarah
 Hi. I am researching digital photography vs. film, and I actualy prefer film to digital for a few different reasons. I won't go in to details now. I am wondering if you may share your opinion of the matter. Just email me at the address above. Thank you!
 HI Sarah -- I have posted a number of my personal experience and thoughts regarding digital versus film. I'd be interested to hear your opinions on how you prefer film.
2005-09-12 
 

The photographer has an amazing eye for capturing astoundingly beautiful images. I am overwhelmed by such beauty, especially the images of B.C.

 

Thanks!

2005-09-11Darren
 

Thank you for taking the time to create such a fantastic website! I've been reading it quite a lot lately and have picked up loads of hints and tips.

I'd be interested to read your thoughts and views on RAW formats - workflow, pros/cons etc.

 

Thanks Darren! Glad you found it useful... I will add discussions of RAW workflow to my to-do list. Thx!

2005-04-13Gerry Pasternack
 

This is abstracted from your response to me in dpreview forum on how to track performance of Monaco Optix-XR calibrator:

"So, I managed to use a combination of pulling apart the generated profiles and then compared this with the IT-8 target LAB color data in Photoshop to determine my own delta-E values and drift. A fair bit of hassle, but I could determine a lot more about the quality of my profiles than would ever be obvious from the application itself."

Can you be more specific? What program do you use to read the ICC Profile contents, and how do you analyse the data?

Thanks, Gerry

 

Hi Gerry --

Very soon I had intended to open up my section on color management, but at this stage it is not yet ready. One of the articles that I was going to publish was going to detail this exact process. However, in the interim: you can derive objective data from several of the files that are generated by Monaco EZcolor (MonacoEZcolorDevice.log, the monitor *.icm profile, and the IT-8 reflective target data (eg. MONR2004.06.01.mrf). The two key points are that some ICC profiles have text-based sections that include the actual lookup table, and Monaco's target files can be opened as a text file!

2005-03-16Keith Alexander
 

As I'm sure you know happens so often on the Internet, I just *stumbled* across your TERRIFIC web site today. I teach digital photography courses at local colleges and at photography "clubs," and maintain a web-site of resources for my students. I had just printed up a list of "Internet Resources on Digital Photography" to give as a handout to my class tonight, but now I have to go edit that file and re-print it with your site added (with three stars next to it, I might add)!

Terrific site!!!! Bravo!

OK, here's my own lame little site (it's oriented towards both my computer and digital photography students, so forgive me). You can go visit at: http://groups.msn.com/Mr-AlexandersNewsletter

 

Thanks Keith for the nice comments... glad you found it useful!

 


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